The Invisible Man is a modern psychological horror film directed by Leigh Whannell, and a reimagining of H.G. Wells’ classic novel. It is widely praised for its fresh take on the story, focusing on themes of abuse, trauma, and control in a contemporary setting.

The story follows Cecilia Kass (Elisabeth Moss), a woman trapped in an abusive relationship with Adrian Griffin (Oliver Jackson-Cohen), a wealthy optics engineer. After escaping from Adrian’s home, Cecilia learns that he has allegedly died by suicide. However, soon after his death, strange and terrifying events begin to occur, leading her to believe that Adrian is not truly gone, but rather has found a way to become invisible and is stalking and tormenting her.

As Cecilia tries to convince those around her that Adrian is still alive, she becomes increasingly isolated and desperate, with no one believing her claims. The film builds tension through its clever use of space, making the audience question whether Adrian is present or if Cecilia’s mind is playing tricks on her. The central horror stems not just from the invisible antagonist, but from the emotional manipulation and control that Adrian wields over her even in his supposed absence.

*The Invisible Man* is praised for its strong performances, particularly Moss’s portrayal of Cecilia, as well as its innovative direction, which makes the unseen villain all the more terrifying. The film is a sharp commentary on gaslighting and the trauma of abuse, wrapped in a tense and gripping horror narrative.